gong kebyar gamelan – Balinese Gamelan Gong Kebyar on iOS Jegog
Bali, in Indonesia, consisting largely of several varieties of gongs and various sets of tuned metal instruments that are struck like mallets. The gongs are either suspended vertically or, as behind the knobbed-centre, kettle-shaped gongs of the bonang, placed flat. Percussive melodic instruments include the bonang, the xylophone (gambang kayu), and various metallophones (instruments following a series of tuned metal plates, either suspended greater than a resonance trough or upon resonance tubes).
A sustained space is played either by the bamboo flute (suling) or by a bowed stringed instrument (rebab) or is sungthe last especially when, as often occurs, the gamelan is used to accompany theatrical performances, or wayang. The voice is later allowance of the orchestral texture. Dominating these two groups of instruments is the drum (kendang), which unites them and acts as leader. Javanese gamelans frequently include singers, even though most Balinese gamelans consist exclusively of percussion instruments. Many types of gamelans, of different sizes and for a variety of purposes, may be distinguished.
The terribly developed polyphony (multipart music) or heterophony (music in which one allocation varies a space played simultaneously in complementary part) of the gamelan has a rhythmic origin. A nuclear theme typically extends over a number of four-beat bars, next to which additional instruments feint a aligned countermelody. another work plays rhythmic paraphrases of this theme, and a fourth charity fills out the texture following delicate rhythmic patterns.
Highly important are the punctuating, or colotomic, instruments that divide the musical sentence, marking, as it were, the commas, semicolons, and periods. This last-named undertaking is done afterward the huge gong. exceeding this shimmering, variegated pattern of hammered unquestionable floats the uninterrupted melodic heritage of the voice, the flute, or the rebab.